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Dan Kennedy Outlines Boston Phoenix's Slow Death


The Professor closes with this:

FROM GREEN TO RED

So what happened? Some of it is pretty obvious. About a dozen years ago the Phoenix switched from paid to free distribution, which might have made sense at the time but which proved disastrous given the advertising collapse that was to come.

Craigslist, of course, had a devastating effect on a paper that depended on pages and pages of classified ads -- college students looking for roommates, bands looking for musicians and, yes, people from all walks of life looking for sex. National advertising from cigarette companies and record labels dried up.

But beyond those factors, the community that sustained the Phoenix has passed from the scene. At one time the Boston area was awash in concert venues, record stores, guitar emporiums, independent book stores, head shops -- the kinds of businesses that reached their customers by advertising in alternative weeklies. Now they are almost entirely gone. There was very little to offset the costs of producing a free magazine and a free website. It's no wonder that Mindich personally had to subsidize the Phoenix to the tune of $30,000 a week, according to a report in Boston magazine.

On the surface, it might seem odd that Mindich will continue to publish the Portland (Maine) Phoenix and the Providence Phoenix, much thinner alt-weeklies that are still printed on newspaper stock. Yet many smaller cities have maintained the sort of community that can sustain such papers. Indeed, Tiffany Shackelford, the executive director of the Association of Alternative Newsmedia, told the website NetNewsCheck that the relative health of the Portland and Providence papersreflects broader trends.

"We're seeing that alt-weeklies are still really thriving in small to medium markets where they're an important voice for their community," she said. "In larger markets, there's more competition for advertising."

With the Internet taking away the Phoenix's classified-ad revenue and with the passing of its traditional base of display advertising, Mindich really had no choice other than to try something completely different.

It failed, but it was a noble failure. Sadly, some 50 people are losing their jobs. I've lost a touchstone that had been an important part of my life for the past 40 years. And Boston has lost an intelligent, vital, irreplaceable voice.

Dan Kennedy is an assistant professor of journalism at Northeastern University in Boston and a panelist on "Beat the Press" a weekly media program on WGBH-TV. His blog, Media Nation, is online at www.dankennedy.net. His book on the New Haven Independent and other community news sites, The Wired City, will be published by University of Massachusetts Press in May 2013.

I encourage you to follow the professor on twitter

Welcome Back to ZuDfunck.com

now powered by POSTHAVEN 

Last we post, we were mourning our previous provider, but no more. I even forgot it's name. Lemme just say I hope twitter doesn't hire away the two dudes running this platform. Yeah, I am selfish. I'm tired of changing platforms every time I turn around. But this one I was able to save the archive so I'm not mad, really. I can't share much here yet. No "steal this" applet as yet or posting media. Lets try a pic:

image

guess not.

Lets see how this looks and look froward to many more posts.


ZuD's 2nd Video Blurb (Imitation Vine using Android)

I am liking this medium. Shot with my near 2 year old Samsung Galaxy Tab 7. As we await Vine coming to Android. Of course when that occurs we will be limited to 6 seconds, so maybe this format may be more conducive to a long form media windbag such as ZuD.

The game is Knicks/Warriors. The movie is Lincoln.

ZuD's First Video Blurb

Now through Vine folks are acquring a taste for Video bursts. Here's a prototype from us.

Posthaven is the safe place for all your posts forever

Update 3/1/13:

As posterous approaches obliteration in 2 short months I have noticed my new posts here disappear. Until posthaven goes live you can get your ZuD on at miniZuD.com

We need a good solid blog platform for ourselves, and we know our friends and colleagues need one too. That's why we started Posthaven.

We're not going to show ads. We're not looking for investors. We're going to make money the best way we know how: charging for it.

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What is it?

Posthaven is a long-term project that aims to create the world's best blogging platform and stay that way for as long as humanly possible. We're as sick as you are about having to move your posts and photos every time a service goes away.

What are the key goals of Posthaven?
  • Durable URLs forever
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Who's doing it?

Garry Tan and Brett Gibson were two of the cofounders of Posterous in 2008. Posterous was acquired by Twitter in 2012, and while we were happy that it was a meaningful acquisition for the team and investors, we were bummed to see something get shuttered that we believed should last forever.

We know how to build every aspect of a great site, and we're setting out to do it again.

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We want to build simple, useful, usable software for people. That's what we love to do. We'll never sell this site. It's not for sale. Ever. Not negotiable.

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As long as we can! We'll do our best to keep it as reasonable as possible. If costs go up, we'll have to raise prices. If they go down, we'll lower them.

We believe fair's fair -- and we'll always be fair.

When will the blog platform launch?

We'll be rolling out the full blog platform over the next few weeks, starting with an import feature from Posterous. We need this, and we figure lots of you might too.

It's just the two us, and we're rewriting the codebase from scratch. It will take a little bit of time, but we've done this before and we'll do it again -- this time, better.

For now, you can reserve your preferred hostname for $5, and that $5 will go towards your first month of Posthaven service.

Forever is a long time. How will you do it?

First off, we'll charge money. There's no question the site will run when you know how to pay for the servers.

Then we'll keep improving the site the way a good caretaker would tend a garden. We'll make sure things are clean and safe, and replace things when they get worn, or when it's ready for a renovation. Think of us as long term data custodians.

What happens if I stop paying?

Permanent URLs are a powerful idea, and it's a feature of using Posthaven we think you should get even if you stop paying. We'll keep the site online, but you won't be able to edit content or add to it. If you want to renew, start paying again and your account will be restored.

When will something qualify for permanent storage? Let's keep it simple initially: If you pay for a year's worth of service, your content is safe and we'll keep it online.

When will Posthaven be able to do _______?

Everything you expected and liked about Posterous will eventually be in Posthaven. Things like post by email, multiple users, pages and links, full HTML theming, and the bookmarklet.

We'll deploy the features and let you know as soon as they're available.

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Update 3/1/13:

As posterous approaches obliteration in 2 short months I have noticed my new posts here disappear. Until posthaven goes live you can get your ZuD on at miniZuD.com

Hey posterous users lets all move to Posthaven. I put up my five dollars to reserve space. I dont want to go to any other place. I've used pretty much all of 'em. Lets get behind Gary Tan and help him launch posterous 2.0

R.I.P. Posterous

What a Bummer. Well shoulda known, you get what you pay for.

This is BAD! Posterous RIP Now what do I do?

I am all in with Google! Said a delighted ChromeBook user.

ARTMAKING, A LOVE STORY: How viral ‘I Have Your Heart’ film brought two creators together from worlds away - Comic Riffs - The Washington Post

Posted at 11:58 PM ET, 02/13/2013

Feb 14, 2013 04:58 AM EST

TheWashingtonPost

ARTMAKING, A LOVE STORY: How viral ‘I Have Your Heart’ film brought two creators together from worlds away


A still from “I Have Your Heart.” (courtesy of BATT/BOEKBINDER/CRABAPPLE - .)

1.

KIM BOEKBINDER remembers precisely when she fell in “like.”

It was March of 2010, and Boekbinder — the Canadian-native musician who also goes by “the Impossible Girl” (after her first solo album) — was working on a project in New York with noted American illustrator/entrepreneur Molly Crabapple. They had decided to make a short stop-motion film set to Boekbinder’s jaunty, accordion-propelled song “The Organ Donor’s March,” and they needed someone to animate their Victorian tale of poor, pretty Cora, a young organ recipient.

Through Twitter, Crabapple (aka Jennifer Caban — co-founder of the Brooklyn-sprung cabaret/drawing show Dr. Sketchy’s Anti-Art School ) — discovered Australian animator Jim Batt. As so, on that March day in 2010, through the borderless power of Skype, Boekbinder first set eyes on Batt. Two talented artists, both then in their early 30s. It was almost love at first Skype.


Crabapple. (courtesy of BATT/BOEKBINDER/CRABAPPLE - .)

“I knew I liked Jim Batt from the first Skype meeting,” the pink-and-blond-coiffed Boekbinder says of the scruffy Melbourne-based illustrator and puppeteer. “He was so smart and cute and cool. Mostly, it was the smarts that got my attention. But look how cute he is!”

(Don’t believe us? Boekbinder offers video proof. “Every time I see this,” the musician says, “I notice how cute he is, and how much I’m smiling.”)

not to get all caught up in a Valentines Day romantic blurb, but it's interesting how technology can facilitate anything and often does it in ways we wonder how we ever managed without it.

'Pi' Special Effects Firm Heading for Bankruptcy

The tiger in 20th Century Fox/Rhythm & Hues The tiger in “Life of Pi,” digitally created by the visual effects company Rhythm & Hues.

4:48 p.m. | Updated The effects production company Rhythm & Hues has had a stellar week, creatively speaking: on Tuesday, it took home four awards from the Visual Effects Society for work on “Life of Pi,” much of which was also acknowledged by the Academy with multiple Oscar nominations in technical categories. On Sunday, it won the Bafta for visual effects. But behind the scenes, the company, based in El Segundo, Calif., was facing financial difficulties, and today it confirmed plans to file for Chapter 11 bankruptcy, according to Deadline.com.

Even as the Baftas were being handed out in London, Deadline reports, executives were calling employees to tell them of the move, and some were asked not to report to work today.

The company, which has branches in Canada, Taiwan, Malaysia and India, called a meeting at its headquarters today to discuss plans for the future. Prime Focus, an effects and 3D company in India, had been in talks to purchase Rhythm & Hues last week, but those negotiations fell through. Other suitors may yet line up, as the company is said to be still continuing to work on some projects, like the “Percy Jackson” sequel. Company representatives did not respond to requests for comment, according to Variety.


Correction: Feb. 11, 2013
An earlier version of this post misstated the timing of the Chapter 11 filing. Rhythm & Hues has not yet filed but plans to do so tonight, according to Lee Berger, president of the company’s film division.

I saw a preview for this film when the boyz took me see that last alien sequel. I found that 3D preview astonishingly captivating. Better than the movie I was there to see for my birthday.